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On a granite summit in Maine, FBI analyst Dutch Pascal kneels beside a body arranged with the precision of a forgotten liturgy. The killer calls himself the Oracle. His victims are not merely murdered—they are assigned roles in an ancient design stretching from a destroyed 1613 Jesuit mission to a 19th-century vampire panic. Alongside analyst Sarah Sandhill, Dutch must decipher a pattern that suggests the killer already knows exactly how the FBI will respond.